Technical Information

 

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• Home • Up • Additional Tools • Supports and Grounds • Fusing Techniques • Encaustic Process • Ventilation •

 

What to paint with

Encaustic paint is basically beeswax, pigment and a little bit of resin.

You can find out more about R&F's pre-made colors and mediums in our Encaustic Paint Section.

For many years pre-made colors were not available and many artists made their own paint. You can find many different formulas in the reference books. (Some good and some that are dangerous). For a further discussion see our Encaustic Formula section.

What tools to paint with

Since encaustic involves heating wax, there are a few tools that must be used that you don't use in other types of painting.

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You will need something to melt your wax. An electric hot palette ,electric frying pan or a similar appliance will do.

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You can use natural hair brushes and palette knives to apply the paint.

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You will need another tool to reheat (fuse) the paint once it is on the surface. This is to ensure that the layers of paint you apply fuse together and will not flake apart later.

You can see the specific tools we have developed at R&F in our R&F Tools section. Examples of other tools that you can get at hardware stores and home centers are in our Additional Tools Section

What to paint on

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Because of the brittle nature of encaustic paint, it is best used on a rigid support, such as a panel or sturdy sculptural surface.

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The second requirement is that the surface be absorbent. The wax must be able to adhere to the surface or the painting may fall apart at a later date. (This is why acrylic gesso should not be used.)

For more details see our section on Supports and Grounds.

How to use encaustic

There are several steps to painting in encaustic. This differs from other mediums, where once you brush on the paint it is usually there to stay.

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The first step is to apply the molten paint to the surface. This can be done with natural hair brushes, palette knives, or by pouring the paint from cups.

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After the paint is on the surface it is re-heated (fused). This is to ensure that the different layers of wax are bonded together and will not flake apart later. It is also what makes the encaustic process exciting. You can change the image very little or very much at this stage. Colors can sink, or they can rise, edges will blur, shapes can change, texture can be removed or created. Fusing of the work is very important. It also opens up many possibilities for the artist. For a more thorough discussion see the Fusing Section of our site.

The properties of encaustic and the way that is is worked give the artist many possibilities. You can get effects that are like many other mediums, yet it is always encaustic. You can have enamel like finishes, incredibly deep layered effects, textural effects, sculptural effects, fantastic college effects and more. For detailed examples and explanations on some of these effects move on to our Encaustic Processes section.

Finishing the work

Polishing To An Enamel Finish

At any time after the paint has cooled it can be buffed. This can be done with cotton or a slightly more abrasive tissue. The buffing will give the final lustrous touch to the painting.

For several months after the last melting of the paint, the wax/resin will go through a curing process in which the surface continues to harden. During this time moisture or other impurities that have gotten into the paint while molten may work their way to the surface and cause a slight haze. A simple buffing will restore the high polish. Rough textures that have not been fused cannot be easily buffed and may be broken off in the attempt.

Encaustic paintings do not need to be varnished or protected by glass.

The Effect Of Temperature On Encaustic Paintings

An encaustic paint film is stable in a temperature range of approximately 40-110°F (4-44°C). In very cold temperatures wax will shrink slightly. As a result, layers that have not been well fused together or well fused to the ground may separate. This can cause cracking on the surface, especially if the work is being transported. Mention should be made again that encaustic paint made from beeswax without resin can develop a bloom, or clouding, that can only be removed by reheating the wax.

Very hot days can soften the paint somewhat, but will cause no real damage. If any dulling occurs, the surface can be buffed when the painting is cooler.

 

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First posted September 1998
last changed 7/16/08
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