History of Oil Sticks

 

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About Oil Sticks and Oil Pastels

Oil sticks are oil paint manufactured with enough wax for the paint to be molded into stick form. They allow the painter to draw or paint directly onto a surface without brushes, palettes, paint tubes or solvents.

To a limited extent, these same qualities are also found in oil pastels. However, there are significant differences between the two. Oil sticks are composed of a drying oil (such as linseed oil) and wax. Oil pastels employ a non drying oil and often a higher proportion of wax. As a result, they are less a paint than a drawing medium. Oil pastels are more resistant, do not readily build up a paint mass, and will not form a durable film. Work done with them must be glassed, and this confines the scale on which that work can be done. Oil sticks will dry to a durable film, so that work done with them does not need to be glassed. They can therefore be used, like any oil paint, on work of any dimension.

The Development of R&F Pigment Sticks®

Oil paint in stick form first appeared on the market in the 1970s, but was not of high quality. They were weakly pigmented and contained a high proportion of wax, which made them too stiff and brittle to work well as a paint.

Pigment Sticks were introduced in 1990 by R&F Encaustics to fill the need for a high quality oil stick with all the fluidity, subtlety, and durability of tube oils. Many years experience manufacturing encaustic paint had given us the knowledge of a wide variety of waxes and pigments (both traditional and modern), of special milling methods, and of uncommon painting techniques.

We developed what are considered the finest oil sticks ever made. The basis of their quality, however, is very simple. Our oil sticks are handmade in small batches, carefully milled and molded. We use only the basic traditional materials: natural wax, linseed oil, and pigment, and we use them with absolute purity. We use none of the additives, extenders, substitutes, or facilitators that are commonly used in industrial production. While the use of these adulterants can save a lot of work and somewhat reduce the cost of materials, they lower the quality of the paint. To do without them it is necessary to create a very precise balance of the ingredients. Consequently our formulas are complex and our manufacture is labor intensive.

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Copyright © 1998-2008 R&F Handmade Paints, inc.     all rights  reserved                   
84 Ten Broeck Ave Kingston, NY 12401
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First posted September 1998
last changed 7/16/08
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