R&F Handmade Paints

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R&F Update: Partnerships for a New Era

Tuesday, May 25th, 2010 by heather

bannerrf5R&F Update: Partnerships for a New Era

At R&F Handmade Paints we have always prided ourselves on being an artist-focused business. Over the last twenty-two years much of the growth and success of R&F has been due to the loyal support of you, our customer. In recent years our customer base has rapidly expanded as encaustic has emerged onto the contemporary art scene as an interdisciplinary media with limitless boundaries. With this growth the demand for our paint and technical support has increased greatly.

In response, R&F has been working in new ways to bring our product line to you. We have partnered with art stores on new packaging and display cases to best showcase both our encaustic paints and Pigment Sticks. These new displays will be showing up in more and more stores soon. We believe that a stronger presence in stores will be convenient to you, the customer, but will also help to support local art shops and in turn local economies, which are so vital to the arts community. Please click here to see a listing of our retail outlets. If you know of a specific store that you feel could benefit from having R&F please let us know.

Last month R&F had a chance to talk to many of these local retailers when we attended the NAMTA (National Art Materials Trade Association) convention and trade show in Indianapolis, IN. For retailers and manufactures NAMTA is the place where industry professionals have a chance to see and preview new and innovative art materials. It is important to let you know that we have also been collaborating with other companies to introduce new products. There was a lot of interest and enthusiasm from stores about R&F. We received two awards including an Art Business Innovation Award with Ampersand and Best Small Booth Award. The momentum from NAMTA has been contagious and everyone at R&F is looking forward to a productive summer.

We gave you a taste of things to come with the introduction of our new, more affordable encaustic medium pellets a few weeks ago. This is just the beginning. In the next few months you will see several more new products we have been preparing. You will also see our new packaging and displays popping up in more stores, so be on the lookout. We will keep you posted via our newsletter and online blog.As we keep growing, R&F will continue to craft our high-quality artist paints in small, carefully controlled batches and as we look towards the future we assure you that we will continue to work for you, our artist partners, to best meet your needs.

Most importantly, we thank you all for making this possible.

Warm Regards,
The Team at R&F

None of your Beeswax? Of course it is!

Monday, May 17th, 2010 by richard

There are so many questions that keep popping up about the materials that we use, where they come from, and how they are processed.  When we talk about beeswax,  terms such as Pharmaceutical grade, bleaching, refined and filtered are commonly used.  This blog seeks to offer up the materials definitions that are most important to you.

Worker honeybee with wax scales from Beeswax: Production,  Harvesting, Processing and Products by William Coggshall & Roger  Morse, 1984.

Worker honeybee with wax scales from Beeswax: Production, Harvesting, Processing and Products by William Coggshall & Roger Morse, published by Wicwas Press, 1984.

Beeswax is secreted by wax glands in the bee’s abdominal area and used to create the honeycombs of the hive. Pure beeswax is composed solely of carbon, hydrogen, and oxygen. Its natural color when it is secreted is white. When beeswax is harvested from the hive it is often contaminated with impurities, which discolor it. At this stage it is called unrefined or crude beeswax.

crude-beeswax_ethiopian1

Crude Beeswax from Ethiopia

Unrefined or crude beeswax is colored in a range of earthy hues from yellow to black. This coloration is caused by pollen, propolis (resin), and dirt. If you use unrefined wax for its color, it is important not to assume that the color is permanent because the color  is organic matter, which is not necessarily stable in light and is subject to fading, darkening, or a color shift. (See below for variations of crude beeswax)

crude-beeswax_domestic-dark3

Crude Beeswax Domestic

crude-beeswax_new-zealand2

Crude Beeswax from New Zealand

These are reasons why you would most likely want to use decolorized, white beeswax for encaustic. You may wonder how does the wax get whitened? Artist manufacturers avoid the term ”bleached beeswax” because it implies the use of chemical bleaches. But the wax industry uses the term for the mechanical as well as the chemical methods of decolorizing beeswax.

Chemical bleaching is not the best choice for artists for two reasons. For one, chemical bleaching (which uses either potassium permangenate & phosphoric acid or sulfuric acid or various peroxides) does not always mean removing the colorant. In many cases it simply masks it. It is often used to whiten colorants that non-chemical bleaching can’t, but these colorants can later return to their original color. Furthermore, chemical bleaching can be harsh on the wax, creating free fatty acids and making the wax more reactive to pigments and pollutants.

Sun bleached beeswax plant from The Chemistry and Technology of Waxes by Albin H. Warth, published by Reinhold Publishing Company, 1956.

Sun bleached beeswax plant from The Chemistry and Technology of Waxes by Albin H. Warth, published by Reinhold Publishing Company, 1956.

Sun bleaching exposes the wax to the ultraviolet light of the sun, which breaks down the colorants. This is a gentle and effective method of decolorizing the wax. The process, however, is expensive on an industrial scale because it requires so much space, but it is also the most accessible method for artists who want to bleach their own wax on a small scale.

Filtration is a process in which the wax is forced under high pressure through filters of activated carbon and clay that absorb the colorants and take out all foreign matter. Filtration is preferable to chemical bleaching because it maintains the structural integrity of the wax. It is also, in the long run, the least expensive and the most practical of the three methods. It is the best choice for artist material.

Filter

Example of a Filter

Pharmaceutical grade beeswax is a standard set by the government that certifies that the wax meets certain chemical requirements and that it is pure beeswax. The chemical standards (such as its ability to be saponified) are of importance to the cosmetic and pharmaceutical use of beeswax. For the artist, the real importance of pharmaceutical grade beeswax is that it is a guarantee that the beeswax has not been adulterated with other waxes (such as paraffin or microcrystalline), rosins, stearic acid, or tallow. However, the term pharmaceutical grade does not refer to the method by which it has been decolorized. Artists should seek out wax that is both guaranteed 100% beeswax and filtered or sun bleached.

And, in case you’re wondering, R&F uses only pharmaceutical grade filtered beeswax.

This blog is an amplification of comments that I originally posted on www.AMIEN.org.